Ellie is a Singer, Songwriter, Musician and performer from Bedfordshire. She is currently studying music at Luton Sixth Form College and looks to pursue a career in music when she leaves this year. She is influenced by Adele and Jessie J and is comfortable with experimenting with various musical styles and genres. She recently featured on a grime track and has collaborated with several Luton artists. Ellie hopes to work with artists outside of her home town in the near future.
Tuesday, 9 December 2014
Thursday, 23 October 2014
Article on Health and Safety
In this article I will be discussing 10 very important
Health and Safety Issues and how to prevent them. I have placed them in order
of what I think to be least important to the most important. I have chosen to
discuss these specific Health and Safety issues as I feel that these are things
that us as musicians get wrong the most and the majority of the time choose to
ignore.
10. Tuning Your Instrument Properly
One thing that many instrumentalists get wrong is tuning
their instruments with care. Have you ever noticed that you get through packets
of guitar strings every other month? Or that you’re constantly having to
re-tune your instrument? That would be down to the quality of your tuning. If
you want to waste your time and money on buying new guitar strings and retuning
your guitar that’s fine, but the real issue here is the fact that your guitar
strings are pinging from your guitar and are often hitting you in the face or
the person next to you. This can actually cause blindness if it catches you in
the eye and the least it can do is really hurt! Prince Edward could tell you
exactly how painful this is- that’s if he can remember! As a youngster Prince
Charles had been showing off playing his Cello and managed to break a string
causing it to ping into Edward’s eye. If the royals can do it anyone can! If
this is happening to you I suggest you take a lesson in tuning your instrument
properly! Knowing how to tune instruments properly is especially important for
a session musician as you tend to tour around the country and travel to
different places to take on musical jobs. Not only would you look
unprofessional to your employers if your instrument was constantly going out of
tune, it would also waste a lot of your time where you could be making money
rather than sitting around tuning your instruments.
9. Look After Your Voice!
Along with your hearing, if you’re a vocalist taking good
care of your voice is extremely important! Without your voice where would you
be? One thing that stands out is the amount of singers who smoke. It’s like
these people are trying to destroy their vocal chords! Not only are you
affecting your lungs and your capability of holding notes for longer periods of
time, you’re ripping your vocal chords to shreds! Another thing I have noticed
is the amount of singers who will go out raving and drinking! Screaming at the
top of your lungs is only going to cause vocal strain and for you to wake up in
the morning with an extremely sore throat and no voice at all. As for drinking
alcohol- this is dangerous for every part of your body so why do you think your
voice is an exception? Fizzy drinks are also a ‘no no’ if you want to keep
those vocal chords in tip top condition! It’s okay if you want to go out to a
rave every now and again or even drink, but be aware of how you are treating
your voice when you are doing this! Try not speaking when you’re partying hard
you don’t need to use your voice when you’re dancing, and if you’re going to
drink do it in moderation and be aware that you’re only mistreating your voice
when you’re doing this. Stay away from fizzy drinks, overly acidic foods and
drink plenty of water before and during long performances. Also make sure you
warm up properly! Treat your voice like it’s your baby! It would be especially
dangerous for singers who are performing for long periods of time (i.e. in a
musical or doing a road show) to not warm up properly and to not take care of
their voice as they are required to use their voice for sometimes hours a day
every day- rehearsing and performing. If they did not take the right
precautions they could end up losing their voice for good or having to retire
from their job as they are unable to sing.
8. Protecting Your Ears!
Often when playing music, we musicians will turn up the amps
and BLAST IT OUT without taking a second thought to our hearing. It is the same
with drummers, we’ll spend half of our time playing as loudly as we possibly
can without thinking about the damage we are doing to those ‘ear drums’! See
what I did there? ;) Take the Who’s Pete Townshend for instance. He was the
Who’s bass player for over 30 years and has been playing with them for over 50
years! He spent so much of his time stood next to an amp on full blast that he
eventually lost his hearing and is now partially deaf as well as suffering from
the condition tinnitus (a constant high pitched ringing in the ears). If you
want to blast out your music that’s okay but you NEED to protect your ears if
you’re going to do this! The best thing you could do for your hearing is to buy
yourself a pair of ear protectors, and if you don’t want to pay out for these
then you can always turn the levels down! Ear protectors are especially
important for drummers as they tend to have to play loudly in order to fit
nicely below the rest of the performers- or when recording a drum part in the
studio in order for the microphones to pick up the clarity of the sound. Whilst
doing this drummers tend to forget about their ears and how these loud sounds
are affecting their hearing. When wearing ear protectors drummers are able to
play as loudly as they need to whilst doing minimal damage to their ear drums.
7. Food and Drink
It’s only human to feel a bit peckish or even ravenous
whilst rehearsing for long periods of time, it’s also very normal for vocalists
to want a drink by them to lubricate their throats whilst they’re singing.
However, it is far from wise to do any of these things near expensive musical
equipment! This is not only dangerous if something goes wrong, it is also
costly. What happens when liquid hits an electricity powered piece of
equipment? It blows up right? And if it doesn’t blow up? It stops working. What
about when bits of food get caught inside your amps or guitars? Mouldy food?
Faulty equipment? Insects and rodents? I don’t need to say anymore. Unless you
have the money to keep replacing equipment and a super human body that can’t
get damaged by explosions, electric shocks and fire DON’T DO IT! This is
important for all performers using instruments and electrical equipment! Most musicians
require a physical instrument (unless you’re a singer) therefore, all musicians
need to be aware of the dangers of eating and drinking in musical environments.
6. Special Effect
Everyone likes to incorporate special effect into their
performances. It intrigues the audience and gives you as an artist a good
image. Some may even think it to be clever. However, it’s not so clever when
balls of fire are flying out of control, the smoke machine is fogging up the
room to the point where no one can see where they’re going and you’ve managed
to set the whole venue and the people in it on fire! Nothing that extreme has
ever been reported but that doesn’t mean it can’t happen to you! Everyone likes
a nice visual to go with their performance but overdoing it will only lead to
disaster! If you plan to have special effects in your live performances keep it
to a safe level and make sure someone has it under control at all times!
Performers, singers shooting music videos and people putting on stage shows
mostly need to take this into account as these are the people who tend to get
over excited about these things- especially without the correct guidance. Every
band/performer/artist want to show off and intrigue their audiences by putting
on the best performance/shooting the best music video, however, they need to be
aware of how much is too much- and of the safety precautions that they will
need to take in order to keep themselves and everyone involved safe.
5. Act professionally!
Everyone likes to mess around and show off with their
instruments. Especially if it’s going to impress someone special. ;) However,
is it really wise to swing back and forth on your chair whilst rocking out on
an electric guitar or jump from amp to amp whilst belting out your favourite
song? I think NOT! You would have thought something like that is pretty obvious
right? Apparently not! Sid Wilson from Slipknot has been known to injure
himself in almost every live performance he has had. He’s gone from breaking
legs to setting himself on fire! In one performance he leapt off of a piece of
equipment and landed so hard on his heels that he shattered them both and ended
up in a wheelchair for the rest of his tour! I’ll say this once and once only.
If you don’t want to injure yourself and your equipment DON’T DO IT!
Guitarists and singers in bands need to take note of this as
they are the ones who tend to pull off stunts thinking that they’ll make the
audience like them a whole lot more. Session musicians don’t tend to do this as
they are paid to do what they are asked to do and are not always there to
impress their audience with what they can do. However, all individual
performers need to remember that their safety and the safety of their audience
comes first before their attempts to impress. Rather than showing off doing
something they aren’t completely confident they can do- they should focus on exciting
their audience with their musical talent.
4. Avoid a Feedback Loop
Have you ever noticed this continuous sound coming from your
amp that starts off very low and gets higher and higher until it’s deafening to
listen to? That is called feedback and it is caused when either the equaliser
is too high, or the treble is turned up too high on the PA. This is extremely
dangerous as the high pitch can actually deafen people and cause them to suffer
from tinnitus. If it is not stopped before it gets to an unsafe level the
feedback can actually go on forever! The best ways to avoid this would be to
make sure that all levels are turned down before you plug leads into amps or
the PA head, the equaliser is turned down, you have someone close to the PA at
all times ready to turn down the master volume if feedback occurs and that all
microphones face away from the speakers. This is something that all studio
engineers, technicians and musicians using amps and P.A heads should know as
they need to be able to stop the feedback as soon as it occurs. It could be
very dangerous for them and the people surrounding them if they did not know
how to handle a problem like this. This would be one of the very first things
that a professional studio engineer or technician would learn and thus would be
a very basic problem for them to resolve. If someone is looking to use an amp
or P.A and is not aware of how to stop feedback when it occurs, it would be
wise for them to take a short course in music technology.
3. Move Equipment Safely
No one likes to drop heavy things on themselves. It’s
extremely painful, often causes broken bones and can leave you scared to lift
heavy things again! If anyone has ever pulled a muscle in their back from heavy
lifting they’ll also know how agonising this is. This is why you need to take
extra precaution when carrying equipment and instruments! As a Freelance
Musician there are going to be plenty of opportunities for you to put this into
practice however, you need to know how to do this right before these
opportunities come as you don’t want to end up in A&E the night of your
performance. First thing’s first; you need to ensure that you are lifting your
amps properly especially if you’re not the strongest of people. To do this you
would need to squat down keeping your back straight and slowly stand up again
lifting the amp with you. This way you don’t strain the muscles and nerves in
your back and you can get more of a grip on the amp. It’s no good just yanking
at the handle and swinging it up, as the likelihood is that you won’t be
expecting the weight of it and you’ll end up dropping it on yours or someone
else’s foot. Don’t over-do it either! If something is too heavy or you’re
carrying too much there’s no shame in asking someone else to take some of the
load off of you. This is going to be something that a session musician or bands
will come across on a weekly- sometimes daily basis as they will be touring
around often bringing their own instruments and equipment with them. Therefore,
it would also be wise for them to learn the basics on how to lift heavy objects
before attempting to do it daily.
2. Maintain the Safety of Your Equipment
Ensuring that your equipment is safe to use is just as
important as making sure you don’t overload power supplies! Often musicians
will either use a piece of equipment with a faulty fuse or use something that
looks completely safe but hasn’t been PAT tested and is in fact one use away
from blowing up. It is extremely important that broken wires and faulty fuses
are fixed or replaced before being used and that old equipment is tested to
ensure that it is still safe to use. Make sure that you have all of your
equipment PAT tested AT LEAST once a year! It is extremely reckless and stupid
to use something that you know looks dangerous! This is a point that all
musicians seriously need to take into account, especially those who teach other
people how to play instruments as this could lead to them having to pay out a
lot of money in insurance when a piece of equipment blows up and hurts their
student. If something doesn’t look right- avoid using your instrument and get
it checked out as soon as you can.
1. Overloading Electrical Circuits
Using numerous amps, equipment and electricity powered
instruments at one time requires several power sources. Sometimes there aren’t
enough of these in the space being used or they are all too spaced out, so
people tend to resort to overloading adapters and extension cables. The worst
thing you could possibly do is overload extension cables with high voltage
equipment! Think about it. You have for example three amps, a keyboard and a PA
head all plugged into one extension cable with the capability of releasing 2400
watts. One amp requires an average of 700 watts and a PA head alone requires on
average about 1000 watts. Already you’ve taken up over half of the electricity
coming out of this extension cable. Do the math. Over working a power source is
extremely dangerous and can cause fires, electric shocks and the overloading on
an extension cable has been known to cause fatalities. The solution to this is
double up on amps, put up with spreading out a little for your rehearsals or
simply go without amplifying the sound. Your safety as a musician is the most
important thing! Bands are the worst when it comes to this as they tend to use
a lot of electrical equipment and each band member wants to be heard. A lot of
the time they haven’t taken any sort of music course and so they are not aware
of the dangers of overloading power supplies.
Tuesday, 14 October 2014
Wednesday, 1 October 2014
Financial and Management Issues
This article is about some of the Financial and Management
issues you may encounter as a freelance musician. It is important that you are
aware of these issues as you will need to know how to work around them/tackle
them when they cross your path. The three issues I have chosen to talk about
are; Networking, Funding and Invoices. I feel that these three are the most
important issues for people who are new to the industry as they are often
something that people get wrong.
Networking:
Networking is an
extremely important thing to consider when looking into becoming a freelance
musician. Networking is the basis for your career. These days’ social
networking sites are packed full of promotion and are how most musician promote
their music and meet new people working within the industry. Not only is it
important to get your music out there, it is equally as important to meet new
people with aligning interests as they may just have that power to push your
career that one step further. Social Networking is a necessity when getting
your music out there as you need as many people as possible to take an interest
in your talent and this is the most efficient way. Facebook and Twitter are
just a few social networking sites that people use to promote their music and
these are often seen to be the best as they attract billions of people to their
sites every day! Here is an example of a Facebook and Twitter page used to
promote music;
My Facebook page allows me to;
·
Gain likes
·
Share my work with the people who have liked my
page
·
Send messages through the page (this is useful
when contacting agencies and managers.)
·
Upload a biography for people to read
When promoting your music you need to ensure that you have
provided basic information stating who you are, what you do, where you’re from
and how you can be contacted. By doing this people will be drawn to your page
and will want to know more about you and your talents. You also need to ensure
that you have some professional pictures on show as this shows the people
viewing your page that you are serious about your music and are professional. This
is the best way to attract producers and other possible future employers.
Another way in which you can make important contacts is
through gigging and jam nights. Often musicians will meet their future manager
or future band member through doing gigs and jam nights. It is important that
you take up the opportunity to perform at these mini events as producers and
managers will often branch out to these places in the hope of finding fresh
talent and you could be the person they approach! There are many examples of
this happening in the industry. The famous Adele was spotted performing with
her old guitar at an open mic night and now she is a multi-millionaire and has
sold millions of records. This can happen to anyone. If you don’t take up
opportunities like these you won’t be spotted.
Funding:
Funding is something every musician should be looking into
applying for when thinking about going freelance. It is all well and good
coming up with the money yourself to pay for the occasional gig and studio time
however, touring is something that is very important when building up a fan
base and those things don’t come cheap! The arts council and the BBC arts trust
are good places to start as they usually have schemes where they will give away
£5,000-£15,000 a year to bands and artists developing their career for things
like tours, gigs, equipment and studio time. You can download an application
form from http://www.artscouncil.org.uk/funding/
the application is very time consuming as it entails lots of questions about
you as a person and how exactly you would use the money. You need to write to
impress as the funding is very competitive and they want to know that they are
giving it to the right people.
Another great way of making money for tours and gigs is https://www.kickstarter.com/learn?ref=hero
by signing up to this site you rely on the money from other people who may have
taken an interest in your project. For example, if you signed up and proposed a
tour for your band you would need to hope that other people using the site or
friends and family who you have shown the site to could each put enough money
in to make the tour happen. This is called crowd funding. If however, people
invested their money into your tour and it didn’t take place they would be
given a full refund.
The best thing about getting hold of funding to tour the
country is that the more places you go and the more attention you capture, the
bigger your fan base becomes and more people will be willing to invest their
time and money into you.
Invoices:
An
invoice is a receipt/bill that you as a freelancer would write out for your
employer. This is especially handy when doing cash in hand jobs or any one off
jobs where you don’t receive a payslip as it enables you to have something on
record to prove how much you have been paid and can also provide the evidence
you need if an employer decides not to pay you. An invoice also includes your
details so that the employer can pay you or get hold of you if there is a
problem. This is an example of
an invoice;
You would need to write an invoice like this for any event
you are performing at such as; a wedding, a gig or a music festival. If you
begin to receive regular work or are signed to a label or company whose work
involves a contract you won’t have to write out as many invoices. On the other
hand if you are making a lot of money from doing gigs and other paid work that
involves you writing up lots of invoices you may be able to afford an
accountant who can take care of this for you.
Wednesday, 10 September 2014
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